Mostrando entradas con la etiqueta KATE BOGUCHARSKAIA. Mostrar todas las entradas
Mostrando entradas con la etiqueta KATE BOGUCHARSKAIA. Mostrar todas las entradas

sábado, 1 de febrero de 2014

ALEXANDRE VAUTHIER SPRING 2014 COUTURE

SASHA LUSS (ELITE)

ALEXANDRE VAUTHIER

ZUZANNA BIJOCH (NEXT)

SPRING 2014 COUTURE

GRACE MAHARY (IMG)

With a wall of glowing lights at the far end of a glossy black runway, it seemed that Alexandre Vauthier wanted to establish a nightclub ambience for his Spring couture show.


 KATE BOGUCHARSKAIA (NEXT)

Not so. "It was beach and windsurf!" he said emphatically, noting that even the ambient music reinforced the mellow vibe. There was, come to think of it, a beachy attitude to the oxblood bra that appeared midway through—its cups framed in crocodile—and to the hot pants that opened the show.

 CAROLINE BRASCH NIELSEN (ELITE)


They were shown with heels and a fold-over clutch that had a chain running between them, mimicking a surfboard leash: This was surf fetishism, perhaps. 

 LINDSEY WIXSON (ELITE)

 LAIS RIBEIRO (OUI)

Vauthier also gave exposure to a loosely interpreted ethnic theme that played out as jewel-encrusted paneling, extra-long fringes, and intricate leather braiding. If it vaguely recalled a not-so-distant Givenchy couture collection, the designer's pursuit of exceptional fabrications became the more interesting story.

 HANA JIRICKOVA (SILENT)

 LINDSEY WIXSON (ELITE)

A preview of the clothes a day earlier at his showroom brought this into focus. Here, a leopard-spotted lamé reproduced from Saint Laurent's atelier. There, a deceivingly simple oversize warm-up jacket in rare white astrakhan. Up close, sheer leggings combined extra-fine tulle and lace in contoured accord.

 MAUD WELZEN (ELITE)

 CAROLINE BRASCH NIELSEN (ELITE)

The rigid ruffles were the stuff of hat construction, an idea that emerged from Vauthier's correspondence with Maison Michel. Ingeniously, he affixed them to a bodysuit instead of a dress—and just like that, the surf theme reemerged. If only he had kept proportions tight and short instead of extending the swirling mass into a creeping tail. 

CHIHARU OKUNUGI (NATHALIE)


There's some pleasure in knowing that Vauthier does not shy away from extravagance—or bike chains as choker necklaces—as long as the final product bears witness to his creative process.

SASHA LUSS (ELITE)

  LAIS RIBEIRO (OUI)

Plus he clearly understands restraint, avoiding closures on his men's-style blazers to keep his top layers fluid. 

 KATLIN ASS (IMG)

 KATE BOGUCHARSKAIA (NEXT)

He could benefit from recalibrating his ratio of hyperfeminine to token masculine; this way, his collections might not end up as engulfed by their sexiness. But one imagines that for some clients that is precisely the appeal.




LEXI BOLING (FORD)

  HANA JIRICKOVA (SILENT)


CORTESÍA DE STYLE.COM

viernes, 27 de septiembre de 2013

GIANFRANCO FERRÉ SPRING 2014 RTW

KATE BOGUCHASKAIA ()
 
GIANFRANCO FERRÉ  

LISANNE DE JONG (JOY) 

SPRING 2014



Federico Piaggi and Stefano Citron said their starting point for the new Gianfranco Ferré collection was Herb Ritts' photographs of classic Ferré looks and indelible images of Gia Carangi, the tragic supermodel of the late seventies and early eighties whom Angelina Jolie famously played in an HBO film. Gia, the stories go, was deliriously sexy, and as befits their muse, this show today did have a sultry edge.  



Draped dresses, blouses, and jackets gave the impression that they'd slip right off with one quick tug of the giant leather obi belts that cinched them. Skirts also flashed skin; one slit was so high it required shorts underneath.



Asymmetric flourishes were a key element in the Ferré oeuvre, but where the late designer often chose stiff architectural fabrics, Piaggi and Citron were more inclined to use fluid ones, like hammered silk, enver satin, and the electric blue Lurex-shot jersey of the show-closing jumpsuit. Nearly everything glistened, which lent the collection a glitz that didn't let up.



This was a satisfying collection in many ways, but you couldn't help but feel that Piaggi and Citron's work would connect with a bigger crowd—which remains an issue for this Italian label—if they eased off the shine now and then and turned their mind more to clothes made for every day.









 LISANNE DE JONG (JOY) 
 


 KATE BOGUCHASKAIA ()
 






CRISTINA MANTAS (ELITE)
 
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