MODELOS: Yulia Lobova

sábado, 10 de octubre de 2009

Emanuel Ungaro Spring 2010 RTW.

Yulia Lobova (MAJOR)

The wall of cameras at the end of the runway was double the size it was last season, and there was an impressive turnout of industry professionals and curious onlookers at Ungaro today.

Siri Tollerød (MARILYN)

In a bid for easy headlines, CEO Mounir Moufarrige recently replaced Esteban Cortazar with an unusual team: the little-known Spanish designer Estrella Archs and, as "artistic adviser," the actress turned self-bronzer entrepreneur Lindsay Lohan.

Thana Kuhnen (NATHALIE)

Would the move turn out to be a bit of counterintuitive brilliance—the Olsens, after all, have had a bona fide hit with The Row—or would the results be as embarrassing as a streaky orange fake tan?

Katie Fogarty (NEXT)

In separate interviews a couple of days before the show, Archs discussed reviving the DNA and Lohan mentioned injecting a bit of youth into the brand—not necessarily mutually exclusive notions for a label that was beloved by eighties party girls.

Kinga Rajzak (IMG)

The show opened on an up note, with a strapless fuchsia plissé minidress—two Ungaro signatures rolled into one—and Archs turned the house's polka dots into a charming enough heart print on colorful sequined jackets. So far, not so bad…but it wasn't destined to last.

Egle Tvirbutaite (NEXT)

This quickly devolved into a bad joke of a fashion show, one with questionable color combinations, "bad eighties" draped silk jackets and drop-crotch pants, old-fashioned and ill-judged fur stoles, and, yes, tasteless sequin pasties.

Tati Cotliar (NEXT)

To top it off, the fabrics and the construction lacked the finesse you expect from a famous Avenue Montaigne brand.

Kinée Diouf (VIVA)

To be fair, Archs had just about a month to design the collection. But both she and Lohan (if she sticks around long enough) will have to work a lot harder next time to impress the editors and buyers who witnessed this disappointing debut.

Marina Peres (IMG)

Skye Stracke (VIVA)

Imogen Morris Clarke (NEXT)

Tanya Dziahileva (MARILYN)

Viviane Orth (IMG)

Luca Gadjus (WM)

Kelli Lumi (MAJOR)

Georgie Badiel (ELITE)

Kristy Kaurova (MAJOR)

Anya Kazakova (MARILYN)

Sheila Marquez (WOMEN)

Liu Wen (MARILYN)

Mathilde Frachon (NEXT)

Xue Zhang (SLIDES)

Ali Michael (VIVA)

Angelika Kocheva (MARILYN)

Jennifer Messelier (ELITE)

Egle Tvirbutaite (NEXT)

Kinga Rajzak (IMG)

Jovana

Denisa Dvorakova (ELITE)

Iekeliene Stange (MARILYN)

Georgie Badiel (ELITE)

Melodie Dagault (ELITE)

Asia Bugajska (METROPOLITAN)

Skye Stracke (VIVA)

Marina Peres (IMG)

Anna Gushina (IMG)

Alina Ismailova (VIVA)

Katie Fogarty (NEXT)

Alex Sandor (METROPOLITAN)

Yulia Lobova (MAJOR)

Kinée Diouf (VIVA)

Jeneil Williams (FORD)

Imogen Morris Clarke (NEXT)

Irina Lazareanu (MARILYN)

Estrella Archs and Lindsay Lohan

miércoles, 7 de octubre de 2009

Alexander McQueen Spring 2010 RTW.

Magdalena Frackowiak (ELITE)

It could be that Alexander McQueen—oh, and Lady Gaga, remotely—crashed through a whole new frontier in the projection of fashion shows as worldwide live entertainment Tuesday night.

Yulia Kharlaponova (WOMEN)

McQueen's collection, Plato's Atlantis, was live-streamed on Nick Knight's SHOWstudio.com, intercut with the photographer's premade video footage.

Karmen Pedaru (NEXT)

That was the plan anyway, until 30 minutes before the show, Gaga Twittered that McQueen was about to premiere her new single.

Kasia Struss (WOMEN)

She has a million followers. Inevitably, before the crashing of the frontier could quite come about, SHOWstudio itself crashed.

Alla Kostromicheva (WOMEN)

Which may have replicated, in a whole new audience, the sensation of a young hopeful stuck outside a McQueen presentation, waving a standing ticket and being unable to get in.

Eugenia Mandzhieva (CITY)

Seen from on the spot, it was a big-budget production, for sure. There was a sparkling, illuminated runway in which two sinister, robotic movie cameras on gigantic black booms ran back and forth, while a screen played Knight's video of Raquel Zimmermann, lying on sand, naked, with snakes writhing across her body.

Irina Kulikova (IMG)

Then the models came out, dressed in short, reptile-patterned, digitally printed dresses, their gangly legs sunk in grotesque shoes that looked like the armored heads of a fantastical breed of antediluvian sea monster.

Yulia Leontieva (SILENT)

McQueen, according to an internal logic detailed in a press release, was casting an apocalyptic forecast of the future ecological meltdown of the world: Humankind is made up of creatures that evolved from the sea, and we may be heading back to an underwater future as the ice cap dissolves.

Amanda Laine (ELITE)

The consequences, in fashion terms? Well, it was a one-note, unmissable formula of the kind several other designers have decided is the way to communicate this season.

Alana Zimmer (WOMEN)

McQueen's message throughout was essentially sunk into the short dress—a steady development of his engineered sea-reptile prints, worked into a nipped-waist, belled-skirt silhouette.

Liu Wen (MARILYN)

The colors—first green and brown, moving to aqua and blue—were exceptionally executed and swagged, and molded across panniered structures. Each dress was a work of computer-generated art crossbred with McQueen's couture-based signature cut.

Valerija Kelava (NEXT)

In a section in which it looked as if McQueen was envisaging a biological hybridization of women with sea mammals, there were trousers whose bulbous flanks mimicked the skin of sharks or dolphins.

Shu Pei Qin (NEXT)

A reminder of his taste in Savile Row tailoring came via a few looks in which formfitting gray men's fabric was cut away to reveal "portholes" filled with turquoise (an effect akin to the view from a glass-bottomed boat).

Jacquelyn Jablonski (ELITE)

Finally, then? Although there was nothing to show McQueen breaking out from his set design mold, the way he's embracing new computer technologies and the drama of the moving image puts him at the leading edge of change.