domingo, 16 de diciembre de 2012

HILARY RHODA BY VINCENT PETERS

 HILARY RHODA (ELITE)




 NUMERO TOKYO JANUARY / FEBRUARY 2013



 "SCENE-STEALING HILARY"




PHOTOGRAPHER VINCENT PETERS

viernes, 14 de diciembre de 2012

LANA DEL REY FOR VOGUE CHINA JANUARY 2013

 LANA DEL REY (NEXT)


 VOGUE CHINA JANUARY 2013

 "SAY GOODBYE  TO THE WONDERLAND"

BY WEE KHIM

URBAN LEATHER

 DREE HEMINGWAY (DNA)


 VOGUE CHINA JANUARY 2013


 "URBAN LEATHER"



POTOGRAPHER MAX VADAKUL

CONSTANCE JABLONSKI BY PATRICK DEMARCHELIER

 CONSTANCE JABLONSKI (MARILYN)


 VOGUE CHINA JANUARY 2013

 "INTIMATE ELEGANCE"


 CONSTANCE ES UNA MODELO FRANCESA 21 AÑOS

 ESTA MODELO DE 1.80 M ESTA RANKEADA NUMERO 8 DEL MUNDO DEL MODELOJE SEGUN EL PORTAL MODELS.COM


 PHOTOGRAPHER PATRICK DEMARCHELIER


domingo, 9 de diciembre de 2012

BELSTAFF PRE-FALL 2013

 BELSTAFF

 PRE-FALL 2013

 MAUD WELZEN (DNA)

 "We love our heritage," said Belstaff's Martin Cooper, "but I never want to be beholden to it." Off come the shackles, in rushes the fresh air. 

 Belstaff, which has been cranking out motorcycling gear for the better part of a century, has, since its revival in 2011, navigated a course between its history and the demands of its new status as a high-fashion house. 

 With the pre-fall collection, the label's first for this important sales season, it moved forward yet again. The line, Cooper said, was, "more than anything, exploring an urban feeling for the brand." 

 The first section he dubbed city dressing, and while the racing details remained—in the form of padded leather elbow patches on a double-woven cotton car coat—the pieces here all felt more like part of a real woman's wardrobe.

 Leather motorcycle pants gave the old vroom-vroom feel, but they matched up with the soft, slinky silk tops Cooper uses for masculine/feminine balance. 

 A country-mouse section was "equestrian meets biker," in the words of the designer, with high quilted-leather riding boots and quilted jackets. Fox fur vests and a gorgeous navy shearling brought us back to the city.

 Despite the line's skyscraper prices, details like lamination on knits and oversized zippers gave the pieces a hit of low-key cool. ("Hardware is our jewelry," Cooper explained.)

 As an added bonus, loosening heritage's hold on the whole gave Cooper a chance to embrace it more strongly in parts.

 Since relaunching the brand, he's re-created the classic Trialmaster jacket in leathers and skins, but never in its original waxed cotton. Here it was back in action, only slightly nipped and tucked.

 BY MATTHEW SCHNEIER













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