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This season, there's been obsessive talk about the possibilities of making fashion events public via revolutionary digital technologies, so it takes an extra-special mustering of talent to remind everyone how unique an experience a great show can be in real time, witnessed on the spot.
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For Spring, John Galliano did just that, conjuring up a magical scenario on a laser-lit runway, upon which floating bubbles descended and then—poof!—evaporated into vapor.
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It created a dreamy parallel world for one of his best collections in a long time: a show poignantly evoking the era when the heroines of silent movies were facing their career demise.
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"It came from a research trip to L.A.," Galliano said. "I went around the old houses of Hollywood and imagined how stars like Tallulah Bankhead, Lillian Gish, and Mary Pickford lived."
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It gave him an ideal justification for playing to his strengths in poetically glamorous chiffon; bias-cut little nothings; fragile, delightful plissé puff-shouldered blouses and bed jackets; and coats symbolically decorated with clusters of flowers made out of film gel.
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Galliano's color sense—the ice blues, silver lamés, powder pinks, and lemons—was exquisite; it was his fashion version of Sunset Boulevard.
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This, of course, is the romantic territory Galliano has owned for years, but somehow, seen in this laser-created futuristic light, its imagery jumped to a new relevance.
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Triumphantly desirable as the clothes were, their meaning seemed doubly poignant—mirroring a moment when a new technology was putting an old world out of business.
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