ELLE ITALIA JUNIO 2015
LAIS RIBEIRO (ELITE)
FOTÓGRAFO HANS FEURER
IMÁGENES DE TFS
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Mostrando entradas con la etiqueta LAIS RIBEIRO. Mostrar todas las entradas
martes, 19 de mayo de 2015
sábado, 1 de febrero de 2014
ALEXANDRE VAUTHIER SPRING 2014 COUTURE
SASHA LUSS (ELITE)
ALEXANDRE VAUTHIER
ALEXANDRE VAUTHIER
ZUZANNA BIJOCH (NEXT)
SPRING 2014 COUTURE
SPRING 2014 COUTURE
GRACE MAHARY (IMG)
With a wall of glowing lights at the far end of a glossy black runway, it seemed that Alexandre Vauthier wanted to establish a nightclub ambience for his Spring couture show.
KATE BOGUCHARSKAIA (NEXT)
Not so. "It was beach and windsurf!" he said emphatically, noting that even the ambient music reinforced the mellow vibe. There was, come to think of it, a beachy attitude to the oxblood bra that appeared midway through—its cups framed in crocodile—and to the hot pants that opened the show.
Not so. "It was beach and windsurf!" he said emphatically, noting that even the ambient music reinforced the mellow vibe. There was, come to think of it, a beachy attitude to the oxblood bra that appeared midway through—its cups framed in crocodile—and to the hot pants that opened the show.
CAROLINE BRASCH NIELSEN (ELITE)
They were shown with heels and a fold-over clutch that had a chain running between them, mimicking a surfboard leash: This was surf fetishism, perhaps.
LINDSEY WIXSON (ELITE)
LAIS RIBEIRO (OUI)
Vauthier also gave exposure to a loosely interpreted ethnic theme that played out as jewel-encrusted paneling, extra-long fringes, and intricate leather braiding. If it vaguely recalled a not-so-distant Givenchy couture collection, the designer's pursuit of exceptional fabrications became the more interesting story.
Vauthier also gave exposure to a loosely interpreted ethnic theme that played out as jewel-encrusted paneling, extra-long fringes, and intricate leather braiding. If it vaguely recalled a not-so-distant Givenchy couture collection, the designer's pursuit of exceptional fabrications became the more interesting story.
HANA JIRICKOVA (SILENT)
LINDSEY WIXSON (ELITE)
A preview of the clothes a day earlier at his showroom brought this into focus. Here, a leopard-spotted lamé reproduced from Saint Laurent's atelier. There, a deceivingly simple oversize warm-up jacket in rare white astrakhan. Up close, sheer leggings combined extra-fine tulle and lace in contoured accord.
A preview of the clothes a day earlier at his showroom brought this into focus. Here, a leopard-spotted lamé reproduced from Saint Laurent's atelier. There, a deceivingly simple oversize warm-up jacket in rare white astrakhan. Up close, sheer leggings combined extra-fine tulle and lace in contoured accord.
MAUD WELZEN (ELITE)
CAROLINE BRASCH NIELSEN (ELITE)
The rigid ruffles were the stuff of hat construction, an idea that emerged from Vauthier's correspondence with Maison Michel. Ingeniously, he affixed them to a bodysuit instead of a dress—and just like that, the surf theme reemerged. If only he had kept proportions tight and short instead of extending the swirling mass into a creeping tail.
The rigid ruffles were the stuff of hat construction, an idea that emerged from Vauthier's correspondence with Maison Michel. Ingeniously, he affixed them to a bodysuit instead of a dress—and just like that, the surf theme reemerged. If only he had kept proportions tight and short instead of extending the swirling mass into a creeping tail.
CHIHARU OKUNUGI (NATHALIE)
There's some pleasure in knowing that Vauthier does not shy away from extravagance—or bike chains as choker necklaces—as long as the final product bears witness to his creative process.
SASHA LUSS (ELITE)
LAIS RIBEIRO (OUI)
Plus he clearly understands restraint, avoiding closures on his men's-style blazers to keep his top layers fluid.
Plus he clearly understands restraint, avoiding closures on his men's-style blazers to keep his top layers fluid.
KATLIN ASS (IMG)
KATE BOGUCHARSKAIA (NEXT)
He could benefit from recalibrating his ratio of hyperfeminine to token masculine; this way, his collections might not end up as engulfed by their sexiness. But one imagines that for some clients that is precisely the appeal.
LEXI BOLING (FORD)
HANA JIRICKOVA (SILENT)
CORTESÍA DE STYLE.COM
jueves, 14 de noviembre de 2013
ELIE SAAB SPRING 2014
ELIE SAAB
SPRING 2014
Elie Saab went back to the garden for Spring. "A Lace Garden," he called it. There were scads of the stuff in his pretty collection today, all in the colors of flowers: camellia white, rosy pink, bright bougainvillea, and a vivid green.
To see this show was to be reminded of how commonplace sheer fabrics and views of the bare skin underneath have become on the runways, even while they're still scandalously off-limits on the red carpets.
Points to Saab's stylist for finding ways to make the see-through lace look discreet; lingerie could become a growth market for the designer.
Saab gave his filigreed dresses a graphic edge this season with the grosgrain ribbon he used to trim seams.
Also new: not one, but two prints. It's rare to see anything but monochrome on Saab's runway, but here, colorful roses appeared on the hem of a white party dress and the neckline of a white jumpsuit.
There was also a black and white chiaroscuro lace dotted with more flowers that decorated gowns from bust to hem. The chiaroscuro came out ahead.
Even if the color black doesn't have much place in a rose garden, the black lace dresses at the end of Saab's collection stole the show.
A halter style that alternated horizontal bands of silk crepe and lace was gorgeous, but getting back to that attractive sense of discretion, the best-looking dress was opaque everywhere except for its lace sleeves.
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