AQUI SE ENCUENTRAN LAS PERSONAS QUE A MI PARECER SON MUY BELLAS.
With a new issue of Fiasco magazine quickly approaching, we take a final look at theTeen Freedom issue. Combining drama and the eccentric for an offbeat spread entitled I Am Here, Louis Park photographed Aaron Frew, Dan Felton, Jazz Jamieson, Hugh Vidler, Greg (Next London), Max Cocking, Harry Wakefield and Barnaby Dunn for a black and white feat styled by Hope von Joel.
Funny how time slips away. Four months ago it seemed unthinkable, on an emotional level, that Alexander McQueen's label would survive his death. Then logic prevailed, with Sarah Burton, McQueen's second in command and the person who knew as well as anyone how he thought and worked, appointed as creative director.
On the evidence of this Spring menswear collection, the transition could involve a reasonably seamless and subtle reworking of the house aesthetic.
And the house's signature theatricality was certainly evident in a red and gold brocade coat, or the opium-den-worthy florid deconstructed redingote in vermilion velvet, worn with baggy trousers in an aboriginal silk print. But there was more humble circumstance in a fisherman's sweater, in an unstructured jacket in cashmere reconfigured to look like rough linen, and in an outrider's jacket in washed black leather that ended in an unhemmed skin. The truest reflection of the McQueen heritage was the sense of a story being told: Burton's interplay between aristo and working-class rough was the latest chapter in a book started nearly two decades ago.
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